She talks to BCG here Can we start off by asking you explain how this TV project came to be There was a table read in November for the two winning scripts for which I had auditioned for the role of Judy.
Elliott [Kerrigan]'s script was then commissioned for a pilot in Spring when I auditioned again.
Then show got a green light in Summer but there was no more auditioning: We then shot the series in February this year. It's been a long time since you filmed the pilot episode. Are you excited it's finally now on screen? It has felt like a lifetime but then anything does that you are really excited about.
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It's been like being 7 again and waiting for the summer holidays, Christmas and my birthday all in one. What were your first thoughts when you were approached about this project? And a lovely show as well. How do the situations Judy faces in the show compare to real life?
It's too much hassle. There's not enough time or money and I have baggage which most people don't want to grapple with. How much do you identify with Judy? Wednesday, January 20, Plot Permalink Continuing the series on plot: Plot templates are helpful in telling an author the possible events for different sections of the story.
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Plot Templates Here are some of the most helpful. The most simplistic plot template Adventure comes to you. A Stranger comes to town. You go to Adventure.
Make it specific and practical with this book as your guide. For more depth, more examples and explanations, read this book, Start Your Novel: Plot oriented, this features a goal-oriented series of events.
This is the typical Chase Plot.
Another easy to recognize action-oriented plot. Ah, character comes back in with this one. Someone is wronged and vows to take revenge.
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Love a good mystery? This is the plot for you.
Character oriented, this story follows two main characters, one on a downward track and one on an upward track and their interactions. Everyone is the US roots for the Underdog. This is the plot where the under-privileged handicapped, poor, etc triumphs despite overwhelming odds. This is a physical transformation of some kind.
Similar to the previous, this plot features an inner change, instead of changing the outer form. Bildungsroman, rite of passage, coming-of-age—these terms all refer to someone growing up morally, spiritually or emotionally. The classic Boy-meets-Girl plot. Brilliant use of the forces that keep her characters apart, while still attracting. From the Biblical tale of Jesus to the story of parents sacrificing for their children, this is a staple of literature.
This story digs around, exposes secrets and watches them affect the characters.